The Bergamini Gallery presented fifteen paintings on the occasion of the Biennial of Contemporary Art held at the Milan trade fair. Gianna Montesi’s Fiori chiari-Fiori oscuri was edited and printed by the editor Orlando Consonni of Milan and on that occasion even Ritratto di Treccani and Autoritratto (Self-portrait) were published. Personal exhibitions were mounted at the Biasutti Gallery of Turin, at the La Crocetta of Gallarate and at Montrasio of Monza.He took part in the exhibition Paeseaggi italiani-una situazione del secondo Novecento, about landscapes in the Italian painting of the second half of the XX century, which was mounted at the Galleria Comunale d’Arte Moderna of Conegliano. Moreover he exhibited also Mare a Portovenere (Sea in Portovenere) and Interno (Interior) at the Civic Gallery in the Castello Estense of Mesola and then at the Castello Svevo of Bari on the occasion of the exhibition Ritratto: il ritratto nella pittura italiana del ‘900, about the portraits in the Italian painting of the XX century.At the Modern Art Galleri Ricci-Oddi of Piacenza at the exhibition X Rassegna Nazionale d’Arte Contemporanea-proposte d’arte 1991, during which he exhibited Arrivée de la pêche, La bufera (The Storm) and Pesca notturna (Night Fishing). At the exhibition Anni Cinquanta-pittura in Lombardia, Piemonte e Liguria, about painting in Northern Italy during the 50s, which was mounted at the Castle of Sartirana, Cassinari exhibited also Natura morta (Still life). Other collective exhibitions were mounted in Vasto, XXIV Premio Vasto,l’arte italiana nell’ultimo mezzo secolo; da Corrente al Realismo, which was based on the development of Italian art from Corrente movement to Realism; at Palazzo Bandera of Busto Arsizio Artisti di Corrente 1930-1990; at the Mole Antonelliana of Turin Il colore del lavoro and in Forlì Il Ritorno, il lavoro nell’arte (with works of the Verzocchi collection), both exhibitions based on the job as painting subject.